Bates Motel
We just don't belong in this world anymore, mother. We're broken. We're tired. We want peace and happiness but the world just won't allow it.
Norman Bates
We just don't belong in this world anymore, mother. We're broken. We're tired. We want peace and happiness but the world just won't allow it.
Norman Bates
Jane: So you wanna trust me, beu there's something holding you back.
Lisbon: Yes. You're untrustworthy.
Lee: You can't kill rich people and get away with it, everybody knows that.
Revenge doesn't come cheap.
Sometimes a broken rolex is just a watch which won't work any more.
Clark: I thought it was the only choisd I have.
Jasper: It's the only choise you gave yourself.
Nothing they say is more certain than death, and nothing more uncertain than the time of dying.
No man chooses evil because it is evil; he only mistakes it for happiness.
Of all the weapons in the world, I now know love to be the most dangerous. For I have suffered a motal wound.
Mr. Darcy, Pride and Prejudice and Zombies
There's only two types of people who travel a lot, those in the circus and those on the run.
Everyone has the capacity to change.
Do you wanna make God laugh? tell'm your plans.
Barney Stinson
Just because there's something that needs to be told doesn't mean that it needs to be heard.
Kevin
Find a passion and find a way to get paid for it.
There's a word for when you lose your parent, orphan. And there is a word for when you lose a spouse, it's widow or widower. There're many words for many things, but there is no word for when you lose a child.
Conrad Bonapart
Revenge is an act of passion, vengence is an act of justice.
Nothing is so painful to the human mind as a great and sudden change.
Ted: If you can't spot the crazy person on the bus, it's you.
Barney: Aw, Ted. That's so romantic I wanna fill a pillowcase with dead batteries and hit you with it.
Amphiaraus: No matter how far you go, man cannot escape his fate.
[a javelin comes at Amphiaraus]
Amphiaraus: My time...
[Hercules stops the javelin]
Amphiaraus: Do you mind? I was having a moment!
Hercules: You're welcome.
King Eurystheus: When the people called out your name louder than mine, you see, when they saw you as a god, how long... before they saw you as their king?
Hercules: I wanted nothing!
King Eurystheus: Precisely! Your sin, Hercules, was that you had no ambition! I can deal with an ambitious man! He can be bought! But a man who wants nothing has no price!
Hercules: In this moment, on this day, become the man you were born to be. You have it within yourself to write your own legend. Let it be to death, or Victory!
Peace is expensive to buy.
Pushkin, The Equalizer
you've gotta keep on grinding no matter what stood in your way.
Gunner Lawless, supernatural
It is not down on any map; true places never are.
Grimm
Poor and content is rich and rich enough.
Shakespear
Andy Dufresne: Get busy living, or get busy dying.
Red: [narrating] Andy Dufresne - who crawled through a river of shit and came out clean on the other side.
Andy Dufresne: [in letter to Red] Remember Red, hope is a good thing, maybe the best of things, and no good thing ever dies.
Andy Dufresne: Yeah. The funny thing is - on the outside, I was an honest man, straight as an arrow. I had to come to prison to be a crook.
Red: Same old sh*t, different day.
Red: [narrating] Sometimes it makes me sad, though... Andy being gone. I have to remind myself that some birds aren't meant to be caged. Their feathers are just too bright. And when they fly away, the part of you that knows it was a sin to lock them up DOES rejoice. But still, the place you live in is that much more drab and empty that they're gone. I guess I just miss my friend.
Heywood: The Count of Monte Crisco...
Floyd: That's "Cristo" you dumb sh*t.
Heywood: ...by Alexandree Dumb-a**. Dumb-a**.
Andy Dufresne: Dumb-a**? "Dumas". You know what it's about? You'll like it, it's about a prison break.
Red: We oughta file that under "Educational" too, oughten we?
Andy Dufresne: I was in the path of the tornado... I just didn't expect the storm would last as long as it has.
Red: I don't know; every man has his breaking point.
Andy Dufresne: ................There's something buried under it I want you to have.
Red: What, Andy? What's buried under there?
Andy Dufresne: [turns to walk away] You'll have to pry it up... to see.
Red: [narrating] I have no idea to this day what those two Italian ladies were singing about. Truth is, I don't want to know. Some things are best left unsaid. I'd like to think they were singing about something so beautiful, it can't be expressed in words, and makes your heart ache because of it. I tell you, those voices soared higher and farther than anybody in a gray place dares to dream. It was like some beautiful bird flapped into our drab little cage and made those walls dissolve away, and for the briefest of moments, every last man in Shawshank felt free.
Red: Let me tell you something my friend. Hope is a dangerous thing. Hope can drive a man insane.
Andy Dufresne: She was beautiful. God I loved her. I just didn't know how to show it, that's all. I killed her, Red. I didn't pull the trigger, but I drove her away. And that's why she died, because of me.
Andy Dufresne: That's the beauty of music. They can't get that from you... Haven't you ever felt that way about music?
Red: I played a mean harmonica as a younger man. Lost interest in it though. Didn't make much sense in here.
Andy Dufresne: Here's where it makes the most sense. You need it so you don't forget.
Red: Forget?
Andy Dufresne: Forget that... there are places in this world that aren't made out of stone. That there's something inside... that they can't get to, that they can't touch. That's yours.
Red: What're you talking about?
Andy Dufresne: Hope.
Warden Samuel Norton: I believe in two things: discipline and the Bible. Here you'll receive both. Put your trust in the Lord; your a** belongs to me. Welcome to Shawshank.
Red: These walls are funny. First you hate 'em, then you get used to 'em. Enough time passes, you get so you depend on them. That's institutionalized.
Heywood: Sh*t. I could never get like that.
Ernie: Oh yeah? Say that when you been here as long as Brooks has.
Red: Goddamn right. They send you here for life, and that's exactly what they take. The part that counts, anyway.
Red: I'd like to think that the last thing that went through his head, other than that bullet, was to wonder how the hell Andy Dufresne ever got the best of him.
Red: [narrating] In 1966, Andy Dufresne escaped from Shawshank prison. All they found of him was a muddy set of prison clothes, a bar of soap, and an old rock hammer, damn near worn down to the nub. I remember thinking it would take a man six hundred years to tunnel through the wall with it. Old Andy did it in less than twenty. Oh, Andy loved geology. I imagine it appealed to his meticulous nature. An ice age here, million years of mountain building there. Geology is the study of pressure and time. That's all it takes really, pressure, and time. That, and a big goddamn poster. Like I said, in prison a man will do most anything to keep his mind occupied. Turns out Andy's favorite hobby was totin' his wall out into the exercise yard, a handful at a time. I guess after Tommy was killed, Andy decided he'd been here just about long enough. Andy did like he was told, buffed those shoes to a high mirror shine. The guards simply didn't notice. Neither did I... I mean, seriously, how often do you really look at a mans shoes? Andy crawled to freedom through five hundred yards of sh*t smelling foulness I can't even imagine, or maybe I just don't want to. Five hundred yards... that's the length of five football fields, just shy of half a mile.
Warden Samuel Norton: [to new inmates, after explaining the prison routine] Any questions?
Prisoner: When do we eat?
Captain Hadley: [Approaches prisoner] You eat when we say you eat. You piss when we say you piss, and you sh*t when we say you sh*t. You got that, you maggot **** mother******?
Andy Dufresne: Maybe it's time for you to switch careers.
Tommy Williams: Huh?
Andy Dufresne: What I mean is, you don't seem to be a very good thief, maybe you should try something else.
Andy Dufresne: I have no enemies here.
Red: Yeah? Wait a while. Word gets around. The Sisters have taken quite a likin' to you. Especially Boggs.
Andy Dufresne: I don't suppose it would help if I told them that I'm not homosexual.
Red: Neither are they. You have to be human first. They don't qualify.
Red: I could see why some of the boys took him for snobby. He had a quiet way about him, a walk and a talk that just wasn't normal around here. He strolled, like a man in a park without a care or a worry in the world, like he had on an invisible coat that would shield him from this place.
Captain Hadley: What the Christ is this happy horsesh*t?
Prisoner: Hey, he took the Lord's name in vain! I'm tellin' the warden!
Captain Hadley: You'll be tellin' the warden about my baton up your a**!
Red: Ever bother you?
Andy Dufresne: I don't run the scams Red, I just process the profits. Fine line, maybe, but I also built that library and used it to help a dozen guys get their high school diploma. Why do you think the warden lets me do all that?
Red: To keep you happy and doing the laundry. Money instead of sheets.
Tommy Williams: So I'm backing out the door, right, and I got the TV, like this; it was a big old thing, I couldn't see sh*t; suddenly I hear this voice, "Police, kid, hands in the air." You know, I was standing there, holdin' on to that TV, so finally the voice says, "You hear what I said, boy?" And I say, "Yes sir, I sure did, but if I drop this f***ing thing you got me on destruction of property too."
Captain Hadley: Uncle Sam. Reaching into your shirt and squeezing your tit till it's purple.
Fat A**: You don't understand, I'm not supposed to be here!
Captain Hadley: I'm not gonna to count to three. I'm not even gonna count to one. You will shut the F*** up or I'll sing you a lullaby!
Red: [narrating] I wish I could tell you that Andy fought the good fight, and the Sisters let him be. I wish I could tell you that - but prison is no fairy-tale world. He never said who did it, but we all knew. Things went on like that for awhile - prison life consists of routine, and then more routine. Every so often, Andy would show up with fresh bruises. The Sisters kept at him - sometimes he was able to fight 'em off, sometimes not. And that's how it went for Andy - that was his routine. I do believe those first two years were the worst for him, and I also believe that if things had gone on that way, this place would have got the best of him.
Andy Dufresne: Thirty years. Jesus, when you say it like that...
Red: ...You wonder where it went.
Red: [narrating] And that's how it came to pass that on the second-to-last day of the job, the convict crew that tarred the plate factory roof in the spring of forty-nine wound up sitting in a row at ten o'clock in the morning drinking icy cold, Bohemia-style beer, courtesy of the hardest screw that ever walked a turn at Shawshank State Prison.
Captain Hadley: Drink up while it's cold, ladies.
Red: [narrating] The colossal prick even managed to sound magnanimous.
Red: One day, when I have a long gray beard and two or three marbles rollin' around upstairs, they'll let me out.
Andy Dufresne: What was his name?
Heywood: What did you say?
Andy Dufresne: I was just wondering if anybody knew his name.
Heywood: F*** do you care, new fish? Doesn't f***in' matter what his name was. He's dead.
Heywood: Red? You saying Andy's innocent? I mean *for real* innocent?
Red: Yeah, it looks that way.
Heywood: Sweet Jesus. How long's he been in here?
Red: Since '47, what is that... 19 years.
Head Bull Haig: Dufresne? Get your ass out here boy, you're holding up the show!
[no answer]
Head Bull Haig: Don't make me come down there or I'll thump your skull for you!
[Still no answer. Glaring, Haig stalks down the tier, clipboard in hand. His men fall in behind]
Head Bull Haig: Damn it, Dufresne, you're putting me behind! I got a schedule to keep! You better be sick or dead in there, I sh*t you not! You hear me?
[They arrive at bars. Their faces go slack. Stunned. Softly]
Head Bull Haig: Oh my Holy God.
[the guards find the cell empty]
Heywood: It's a fine morning, ain't it? You know why it's a fine morning, don't ya? Come on, set 'em down. I want 'em all lined up, just like a pretty little chorus line.
[the cons pull out cigarettes and hand them over to Heywood, who lines them up in front of him. He takes a long whiff]
Heywood: Ah, yes. Richmond, Virginia.
Floyd: Smell my a**.
[Tommy receives a letter from the Board of Education]
Red: You gonna open it, or stand there with your thumb up your butt?
Tommy Williams: Thumb up my butt sounds better.
Andy Dufresne: Thanks for the advice
Red: That's free.
Warden Samuel Norton: [Referring to The Bible] Pleased to see you reading this, any favorite passages?
Andy Dufresne: "Watch ye therefore: for ye know not when the master of the house cometh."
Warden Samuel Norton: Mark 13:35, I've always liked that one but I prefer "I am the light of the world: he that followeth me shall not walk in darkness, but shall have the light of life."
Andy Dufresne: John 8:12
Death dances silently in everyone's shadow and she doesn't give a damn.
klaus, the originals
It's not easy being a parent knowing when to hug your child and when to kill him. Rowena
Johnny Quid: You see that pack of Virginia killing sticks on the end of the piano?
Pete: Yes.
Johnny Quid: All you need to know about life is retained in those four walls. You will notice that one of your personalities is seduced by the illusions of grandeur: the gold packet of king-size with a regal insignia, an attractive implication towards glamour and wealth, the subtle suggestion that cigarettes are indeed your royal and loyal friends - and that, Pete, is a lie. Your other personality is trying to draw your attention to the flip side of the discussion: written in boring bold black and white, it's a statement that these neat little soldiers of death are in fact trying to kill you - and that, Pete, is the truth. Oh, beauty is a beguiling call to death and I'm addicted to the sweet pitch of its siren. That that starts sweet ends bitter, and that which starts bitter ends sweet. THAT is why you and I love the drugs and that is also why I cannot give that painting back. Now please, pass me a light.
Lenny Cole: There's no school like old school, and I'm the f**ing headmaster.
Archie: Bandy, you ever ask a stupid question like that again, see Danny there? He's gonna slap you.
Bandy: Sorry Arch, I was, I was just trying to use initiative.
Archie: Danny, slap him.
[Danny smacks Bandy]
Archie: With the right, Danny, properly.
[Danny smacks Bandy with the right hand]
Archie: No, no, no, NO! Come on, do it properly with the back of the right hand!
Danny: What is this, a tennis match, Arch?
Archie: Slap him!
[Danny slaps Bandy]
Archie: Oh, for fu... Like this.
[slaps Bandy himself]
Archie: Now if you can master a slap like that, there's no need for your clients to hold back. They will open up like a fountain, full of words. No need for strong violence, no no. They're transported back to their childhoods. Putty in your hands. Ask Bandy. Look, thinks he's back at school.
Danny: But he never went to school, Arch.
Archie: You want a slap as well, Daniel, eh? Now, if a slap don't work, you cut 'em or you pay 'em. But you keep your receipts, 'cause this ain't the Mafia.
Bandy: [pushing Lenny's wheelchair] Do you want to take the elevator or the stairs, Mr Cole?
Lenny Cole: Bandy, come here... you been drinking?
Bandy: No, Mr Cole.
[Lenny slaps him]
Lenny Cole: Think, before you drink, before you drive me mad!
One Two: Come on, Bobby boy, cheer up.
Handsome Bob: What have I got to cheer up about? I'll be locked up in an 8-by-10 tomorrow night.
One Two: Bob, that's tomorrow night, okay? So tonight is take-off time.
Lenny Cole: Look, you go see if you can find them two flash idiots that used to be his manager. What are they called, uh, Greek and Minnie.
Archie: Roman and Mickey.
Lenny Cole: Yeah, whatever.
Pete: I'm sorry. I thought you might've liked a bit of company.
Johnny Quid: I'm dead, Pete. What does that tell you? It tells you that dead people don't like company.
Cookie: Have you ever bought a ticket to the Junkie's Boneyard, Roman? It's an unpleasant place, called "Curl up and die". Might sound like a hair salon, but it don't fucking look like one, I could tell ya. It's a terrible sight, and a horrible sound listening to a man,
[sucking noise]
Cookie: suck in his soul through the hole in the pipe. It's even worse when he tries to tear it back. I've been there, and I've done that. And then I nailed that Demon in a smoke proof coffin, and I did it all with Johnny. I love that man, he's what you call class. And if you had any fucking brains, Roman, you'd love him too. You know his music sales have gone up 1000% in two weeks. You see, Johnny the crackhead knows that a rocker is worth more dead than alive, silly world, isn't it? Mr. Quid does not get his gear from me, he has to travel, far and wide. But do leave me a number, and if the dead feels like calling, you'll be the first to know.
Archie: Slow down Tinker Bell.
Archie: You'll never sing the same if yer teeth ain't your own.
Valerie: it's funny how one event can change the outcome of your entire life.
Damen: I do not go behind people's backs and torture them. I like my enemies to look me in the eye and see the depth of my rage.
verbal: The greatest trick the devil ever pulled was convincing the world he did not exist.
Dave Kujan: Do you believe in him, Verbal?
Verbal: Keaton always said, "I don't believe in God, but I'm afraid of him." Well I believe in God, and the only thing that scares me is Keyser Soze.
Kobayashi: One cannot be betrayed if one has no people.
Verbal: A man can convince anyone he's somebody else, but never himself.
Dave Kujan: First day on the job, you know what I learned? How to spot a murderer. Let's say you arrest three guys for the same killing. You put them all in jail overnight. The next morning, whoever's sleeping is your man. You see, if you're guilty, you know you're caught, you get some rest, you let your guard down.
Fenster: They treat me like a criminal. I'll end up a criminal.
Hockney: You are a criminal.
Fenster: Why you gotta go and do that? I'm trying to make a point.
Interrogation Cop: I can put you in Queens on the night of the hijacking.
Hockney: Really? I live in Queens.
Dave Kujan: You know a dealer named Ruby Deamer, Verbal?
Verbal: You know a religious guy named John Paul?
Dave Kujan: You know Ruby's in Attica?
Verbal: He didn't have my lawyer.
verbal: You think a guy like that comes this close to getting caught and sticks his head out?
cop: Todd Hockney?
Hockney: Who wants to know?
cop: New York Police Department.
[Hockney drops his screwdriver, sighs and reaches under the body of the car]
cop: S**t! Freeze! Hold it!
[Hockney actually pulls out a red cloth with which he uses to wipe his face]
Hockney: You sure you brought enough guys?
Keaton: I'm a businessman now.
Interrogation Cop: Yeah? What's that, the restaurant business? No. From now on, you're in the gettin'-f****d-by-us business.
Dave Kujan: A rumor's not a rumor that doesn't die...
Dave Kujan: Verbal, I know you like Keaton. I know you think he's a good man.
Verbal: I know he was good.
Dave Kujan: He was a corrupt cop.
Verbal: Sure, 15 years ago, but he was a good thief. Anyway, the cops wouldn't let him go legit.
Hockney: You kids ready?
McManus: I would be if I didn't have to stop and answer to you.
Keaton: This whole thing was a shakedown.
McManus: What makes you say that?
Keaton: How many times you been in a lineup? It's always you and four dummies. PD are paying homeless guys $10 a head half the time. And there's no way they'd line five felons in the same row. No way. And what's a - What's a voice lineup? Public defender could get you out of that one.
Fenster: You do some time, they never let you go.
Verbal: The DA gave me immunity.
Dave Kujan: Not from me.
Brooke: Is everything alright?
Carrigan: If it was I wouldn't be here.
Why do you hold on to someone that you know you must let them go.
terminator